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16-Bit Age
                                                                                                          16-Bit Age
                                  Music Reviews
                                  Music Reviews




                                     Sonic Boom
                                     Sonic Boom


              o, it’s not an ode to Street                                           through time, each region features its own
              Fighter II’s  Guile, but rather a                                      “good future” or “bad future” theme song,
              focused compilation of Sonic                                           changing based on Sonic’s performance.
      n  the Hedgehog melodies created                                               Yet the American tunes all suffer from re-
      by Spencer Nilsen, a music composer,                                           petitive blandness. The soundtrack drones
      arranger, and producer best known for his                                      on and on without any energy or sense of
      work on first-party Sega CD games. Yet                                         purpose, regardless of what’s happening
      Sonic Boom, which exclusively consists of                                      on the screen. It’s almost depressing.
      Sonic CD  tunes as well as selections                                               Looking back, the Sega CD seemed to
      from Sonic Spinball, is more of a curios-                                      be a workbench for Spencer Nilsen (a
      ity than something you’ll want to listen to                                    relative of Sega’s marketing manager at
      more than once.                                                                the time, Al Nilsen) to experiment on.
           The problem? The arrangements never                                       Sometimes his synthesizer-laden sound-
      feel like they belong in a video game,                                         tracks worked (the peaceful, hypnotic
      much less an upbeat, fast-paced Sonic                                          Ecco the Dolphin soundtrack comes to
      title. Interestingly enough, the soundtrack                                    mind) but most are uniformly forgettable.
      for the U.S. version of Sonic CD was com-                                      Released as  a promotional tie-in for Sonic
      pletely redone for American audiences,                                         the Hedgehog 3,  Sonic Boom does fea-
      causing a stir in at least one mainstream                                      ture one bright spot: Sonic CD’s cheesy
      game magazine,  Die Hard Gamefan.                                              main theme, sung by a female trio named
      Though not exactly known for its editorial   on almost a monthly basis.        Pastiche, which is catchy in a Buckner/
      restraint or even-keeled tone, the maga-       The editors’ reaction in this case was   Garcia sort of way. Not much can be said
      zine was quick to criticize the revamped  not unfounded, however. The American  about the rest of the music in Sonic
      soundtrack in the January 1994 issue,   soundtrack never detracts from the game,   Boom, other than it never comes close to
      knocking the game’s final score down   but it doesn’t add anything meaningful to   the red sneaker-tapping tunes in the origi-
      20% on average from the Japanese ver-  it, which is a shame because  Sonic CD’s   nal Sonic the Hedgehog.
      sion. This was unusual for the hype-crazy   unusual structure lends itself well to inter-
      review crew, who tossed out 100% scores   esting arrangements. Since Sonic travels



                                              Smashing…...
                                              Smashing…...
      N                    subscribers re-             Live!!                        of nostalgia.
                                                        Live!!
              intendo Power
                                                                                          If you’ve ever considered picking your-
              ceived a surprise in their Janu-
              ary 2003 issue: an audio CD
                                                                                     self off the sofa, grabbing a stick, running
              packed with 15 tracks from hit
                                                                                     screaming “Hee-ya!” at the top of your
      games on the NES, Super NES, Game                                              outdoors, and swinging at shrubs while
      Boy, and Nintendo 64. But this was no or-                                      lungs , this music will inspire you to do just
      dinary  soundtrack  compilation.  The                                          that -- or another game’s equivalent. Also
      themes were all performed by the New                                           on disc are exuberant songs from Star
      Japan Philharmonic in a live concert held                                      Fox, Super Mario 64, Metroid,  Fire Em-
      on August 27, 2002 in Tokyo. Specifically,                                     blem,  Pokémon,  Kirby’s Dream Land/
      it is a collection inspired by music found on                                  Super Star, Rare’s Donkey Kong Coun-
      the GameCube’s  Super Smash Bros.                                              try, which you can swing dance to, and
      Melee, which itself draws from many clas-                                      the appropriately infectious theme to Dr.
      sic titles in Nintendo’s storied history.                                      Mario. The most surprising thing when
           The orchestra gives new life to these                                     listening  is not how the orchestra gives
      songs, which are as iconic a selection as                                      emotional weight to the selection, nor is it
      you’ll likely find from a single publisher.                                    the often bright, brassy, and brisk ar-
      Whether it’s the light, breezy rendition of                                    rangement: rather, it’s just how over-
      Super Mario Bros.,  played with clarinets,                                     looked Nintendo’s musicians are in evalu-
      the playful theme to Yoshi’s Story, minus                                      ating a game’s success. Smashing…Live!
      the adorable, helium -filled chorus of Yo-                                     lets your ears know what your eyes have
      shis, or the bold, rousing theme from The                                      been enjoying for almost two decades.
      Legend of Zelda, you will be grinning
      from ear to ear, basking in the warm glow                                                      -Scott Alan Marriott


      Classic Gamer Magazine March 2004
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